Métèque brings together photographs produced across research trips in Portugal, Poland, Mexico, and Spain, later printed at Le Fresnoy using the Lambda process. Moving between digital capture and photographic print, the work treats the image surface as a site of translation.

Across portraits, reliquaries, vitrines, murals, bones, and devotional figures, the series traces the persistence of religious and colonial power within Western visual culture. Activated by a parallel text, Métèque approaches Europe as archive, ruin, and black box.