For queer garden, Vir Andres Hera presents Le Romanz de Fanuel (2017), a 16mm film revisited through an extended dialogue with Ulysse Feuvrier. Originally addressing questions of queer ancestrality, the work is rethought here as a film installation through a new montage, allowing its figures and temporalities to resonate with contemporary queer questions nearly a decade later.

The garden functions less as motif than as a space of transformation, instability, and reappearance. In this context, Le Romanz de Fanuel unfolds as a moving-image environment where queer ancestral figures, memory, and speculation remain in circulation. Projection, montage, and installation shift the work away from linear narration and toward a more open relation between image, space, and recurrence.

Within the exhibition, the film enters a wider ecology of metamorphosis, drift, and unstable belonging. Its figures return altered, displaced, and still in motion, extending the work’s long-standing relation to queer temporality and transmission. The queer garden is not merely a place of refuge. It is a laboratory for possible futures. “A queer Garden” is therefore not an exhibition about the garden, but an investigation into the garden as a conceptual and political structure. As Wittgenstein wrote, “the limits of my language signify the limits of my world.” Here, the garden becomes a syntax, a site for the invention of new narratives.